Noah Lenker When I first heard Lily Seabird’s music via her second album, 2025’s Trash Mountain, I slotted her into the 2020s alt-country scene that’s exploded in recent years. And there’s good reason for that — her song “Trash Mountain (1 pm)” is the epitome of the sort of twangy indie rock that’s become commonplace in the wake of breakthroughs by Waxahatchee and MJ Lenderman. Though, it turns out, that song is not wholly representative of Seabird’s work — and it certainly doesn’t describe the totality of Lightspheres On Their Way, her latest album. While the influence of Neil Young echo...
Lily Seabird’s Music Is The Sweet Spot Between Ween, the Velvet Underground and (A Bit Of) Twangy Indie Rock
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Wayne G Fraser
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