Getty Image/Derrick Rossignol
About two-thirds into last Saturday’s sold-out Geese concert in St. Paul, one member of the Brooklyn indie band’s intensely locked-in audience exclaimed, “Cameron fucking Winter!” It was during a break between songs, so everybody heard it. Some laughed, but at least one person protested. With perfect timing, they shouted, “There’s other people, too!”
The exchange echoed a familiar refrain — one that I’ve made myself — amid the ecstatic response to Getting Killed, the third Geese LP that already feels like a lock for “album of the year” status in 2025, at leas
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